The short answer
Several profiles stand out: Chameleon, built for a psychological thriller about identity; Lizard and Norman Osborn, carried by an intimate drama; and finally Scorpion and Shocker, perfect for a low-budget urban crime film. Morbius, for his part, deserves a reboot. The detailed pitches follow.
1. Villains who steal the show: narrative potential that is far too often underestimated
In Spider-Man's world, the enemies are not simple obstacles to get past. They are the shadow that makes the light shine, the warped mirrors of Peter Parker, revealing his fears, his limits and sometimes even his mistakes. Yet, with rare exceptions such as Venom, very few have been given a solo film letting them express all their narrative richness. And that is a real shame, because many of them could easily carry the lead role in dark, moving or psychologically intense stories.
Imagine a film centred on Norman Osborn, exploring his descent into the madness of the Green Goblin. Or a paranoid thriller around Chameleon, master of disguise and manipulation. Better still, a family drama with the Lizard, alias Dr Curt Connors, torn between his humanity and his reptilian urges. These antagonists have a past, a detailed psychology, motivations that are sometimes noble but distorted by pain or loss. By treating them as fallen heroes, cinema could offer a fresh, adult reading of the Marvel universe.
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Chameleon: master of disguise and manipulation
Among Spider-Man's enemies, the Chameleon (Dmitri Smerdyakov) remains one of the most underrated. The first supervillain to face Peter Parker in the comics, he has a unique gift: the ability to take on anyone's appearance. That power makes him a formidable opponent, able to infiltrate the highest circles of society, sow confusion and manipulate the people around the hero.
A film centred on him would be the chance to explore a psychological thriller atmosphere, somewhere between espionage and paranoia. Imagine a script in which the viewer never really knows who is who, in the manner of an 'Usual Suspects' or an 'Inception' Marvel style. The tragic side of his past – a rejected child, the illegitimate brother of the fearsome Kraven – could enrich the storytelling even further.
By exploring the psychology of this tormented character, the studios could raise deep questions about identity, truth and self-perception. Ground that is still barely explored in current Marvel adaptations.
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Morbius: the cursed anti-hero whose potential is still badly used
Michael Morbius, better known as Morbius, is a complex character, on the border between hero and monster. This scientist struck down by a rare disease tried to cure himself through a risky experiment that turned him into a living vampire. A film was already devoted to him in 2022, but it was widely criticised for its direction and its lack of narrative depth.
A well-written reboot could restore the reputation of this character with strong dramatic potential. Morbius's story is above all that of a man fighting his own nature, torn between his thirst for blood and his moral conscience. By focusing on his internal dilemmas, his regrets and his loneliness, a more ambitious solo film could line up with stories of a more adult, tragic tone.
What is more, his dark world could easily cross over with Spider-Man's, or even with Blade's, adding coherence to the Marvel universe while pushing its borders towards more supernatural stories.
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Explore our page dedicated to Spider-Man's enemies to understand their role in the hero's development.
Scorpion and Shocker: secondary opponents, but full of promise
While the big names in Spider-Man's rogues' gallery tend to draw all the attention, more secondary characters such as Scorpion (Mac Gargan) or Shocker (Herman Schultz) also hold interesting narrative potential for solo films on a smaller budget, but just as intense.
Scorpion, a former private detective turned guinea pig in an experiment orchestrated by J. Jonah Jameson, is a perfect example of how initially good intentions can turn into blind revenge. His development, fuelled by resentment and humiliation, could give rise to a dark film about manipulation and the craving for recognition.
As for Shocker, despite his apparent simplicity, he embodies another fascinating archetype: the pragmatic criminal, neither brilliant nor especially evil, who simply wants to get by in a world ruled by superheroes. A film built around him could offer a far more down-to-earth take on the life of a villain, exploring the urban criminal world of New York.
These characters could even be folded into an extended cinematic universe, following several villains in parallel before they meet — a little like what 'Suicide Squad' attempted, but better written and with real depth.
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You can also read our article on the Green Goblin
With all these characters ready to step into the spotlight, the studios are holding an untapped treasure. Bringing Spider-Man's villains to life would not just be fan service: it would be the chance to offer deeper, more varied, sometimes tragic stories, and above all to explore the other side of the myth. Because behind every hero hides an opponent… and behind every opponent, a story that deserves to be told.
